MOCO Fragrances: building a campaign around changing states
A late-summer campaign for MOCO Fragrances exploring transformation through fading flowers, deflating forms, melting wax, spills, and other changing states.
Holiday product photography without the usual Christmas clichés
Holiday without the shorthand
How to make a product campaign feel cohesive without making every image the same
A look at how consistent lighting, color, and art direction can create a cohesive product library without repeating the same image
Holiday planning starts in August
August is when holiday campaign planning should begin, from defining assets and production needs to working backward from launch
Campaign imagery has a shelf life
The right production scope depends on how long the images need to work, where they’ll appear, and how many ways the campaign needs to evolve
Full buyout in product photography: what brands are actually paying for
What brands often call a “full buyout” can mean very different things in commercial photography, affecting licensing, pricing, ownership, and long-term campaign usage
One image can do more than one job
A single landscape image can be planned to scale across formats, reducing production complexity while supporting web, ads, and social from one setup
Rebel Bunny: building a visual system around product and packaging
A campaign visual system for Rebel Bunny designed to hold across product, packaging, and digital placements
Lighting as structure, not style
Lighting does more than establish mood. In product photography, it determines how glass, liquid, metal, and packaging behave, creating a visual structure that can hold a series together as composition and scale change.
Versed skincare study: building a product photography system
A skincare still life study exploring how hero, product family, and detail images work together as a cohesive visual system.
Time changes the image
Production time changes more than the schedule. It changes how much room a still-life image has for testing, discovery, refinement, and response once the physical set begins to take shape.
When the photographer enters the process changes the work
A photographer can enter a campaign at several different points. What changes is not simply the timeline, but the set of creative and production decisions photography can influence.
Product photography pre-production: what gets resolved before the shoot
Pre-production turns creative direction into a workable shoot by resolving image roles, materials, testing, approvals, and production needs before shoot day.
The product photography process: from brief to final delivery
The product photography process moves from planning and concepting through production and delivery, with each phase shaping how images perform across a campaign
Ins + outs for 2026
2026 isn’t about doing more. It’s about choosing better. Fewer projects, clearer thinking, and work that’s intentional instead of reactive are shaping how brands create, decide, and invest.
Creative shoot: sewing circle still life study
A still life study using sewing notions arranged as sculptural forms, focusing on color, balance, and the quiet personality of everyday materials.
Product photography licensing: usage rights and ownership
How commercial product photography licensing defines usage, duration, geography, exclusivity, and ownership without treating copyright and usage rights as the same thing.
Product photography pricing: what brands pay and how costs are structured
Product photography pricing feels opaque because it’s not a single rate but a combination of scope, production, and usage that only becomes clear once defined.
Halloween candy still lifes: the hierarchy of the haul
A still-life tribute to the favorites, trades, misfits, and underdogs that made up the childhood hierarchy of a Halloween candy haul.
Perceived value lives in the details
Perceived product value is shaped less by a particular aesthetic than by how fully the details, materials, composition, and visual hierarchy of an image have been resolved.